Tag Archive: Shambles Miller


Hello there.

We’ll get to the post mortem of The Tidal Wave of Indifference Presents… shortly, but first here’s a sorta gig guide to help keep you entertained for the next few weeks.

First up is the latest Ayetunes-branded gig at Glasgow’s Captain’s Rest on Wednesday (Sept 28). School night gigs are always a problem for us, especially in Glasgow so we won’t be there, but with Jim’s latest venture involves the redoubtable Shambles Miller,  plus the Sea Kings and Spook School who we’re less familiar with. We recommend you make up for our non-attendance and get yourself along – it’ll cost you a mere fiver.

Saturday (Oct 1) brings an unfortunate clash with both the launch of Supermationation’s new EP Amongst the Northern Lochs at the Wee Red Bar (playing two sets – one acoustic, and one plugged in!) plus support, all for free…. and over at Henry’s is the latest Ides of Toad gig (tickets) featuring John Knox Sex Club, Easter and Fuzzystar.

Tough one, this and we don’t envy anyone having to make that choice. Ours is made for us by virtue of a poorly-planned weekend up north which means that we won’t be heading to either. Hopefully you’re getting a bit of a theme here?

Finally, another mention for Michael Feerick and Matthew Collings at the Wee Red on October 16, as put on by Pendulum Man (tickets). Feerick was the frontman of Tidal Wave faves Amusement Parks on Fire so we’re cursing Maw & Paw Tidal Wave for choosing that weekend to foist themselves on us, especially now that the superb Debutant has been added to the bill. Bugger.

And so, to Saturday’s shenanigans at the Wee Red Bar. Some things we’ve learned:

1. Come loaded with pound coins if you’re going to charge something stupid like £6… alternatively just charge a simple price, like a fiver. Keep It Simple, Stupid.

2. Never have any expectation that the soundcheck will run as you’ve planned.

3. A wide variety of instruments will upset a soundman. Greg, our excellent technical guy was stunned that we’d managed to find four bands with a fiddler, which caused some stress. And that’s before we got to Lost Telegrams’ accordion and mandolin.

4. Don’t trust Facebook. Our list of attendees looked healthy pre-gig, but around a dozen or so people we know personally didn’t show. Things come up, we understand, IT’S OK. But it doesn’t work that well as an indication of attendees. But to be quite honest if everyone that said they were coming on Facebook had showed, we would have had to start turning people away. Seriously.

5. Do expect to have an absolute ball.

Seriously, any pre-gig worries about numbers were already dispersing 20 minutes after doors opened as Lost Telgrams were striking up, and absolutely blown away by the time the Douglas Firs hit the stage. We had almost 130 paying punters through the door, and even though a decent chunk of that came from the bands’ cheaper guestlist, we still had enough money to pay all four acts handsomely (we think) and made a modest profit ourselves which we promptly drank in Brauhaus and the Citrus Club.

So….

Thanks to everyone who came along – you surely couldn’t have failed to have fun?

Thanks to the bands. You were all absolutely brilliant. Well, we think… we were rather busy at the door for Lost Telegrams and the Douglas Firs, then totting up money and selling merch during Star Wheel Press. But there were plenty of wonderful sounds coming from behind us. The only band we were able to focus on fully were French Wives, and they were indeed superb. Everyone told us in the pub how great you all were anyway (and here’s a lovely review of the evening if you’ve not already seen it) and I was delighted to see a bundle of merch being shifted too.

Thanks to the staff at the Wee Red. Like the bands, you took a chance on a rookie promoter. I can only assume you made an absolute packet at the bar?

Thanks to Mrs Tidal Wave for keeping me sane on the night, helping with – no, doing – the door and putting up with my drunken foolishness once we’d moved on.

Phew.

We enjoyed it so much we’re DEFINITELY DOING IT AGAIN. Stay tuned!

Bandcrush: Shambles Miller

On the Tidal Wave of Indifference we’re no great fans of Frank Turner and don’t quite ‘get’ his increasingly wide appeal. The music of Billy Bragg, an even better-known protest-y singer, also leaves us a little cold.

So imagine our astonishment when a singer-songwriter very much influenced by both doesn’t have us reaching for the ‘skip’ or ‘off’ buttons.

Maybe it’s the Scottishness. Maybe it’s the beard.  Whatever it is, Shambles Miller – Campbell to his maw – is doing something right. His brand of witty and articulate folk is compulsive listening with lyrics you can get under the skin of.

And I’m not the only one who’s listening. Miller has been accepted into Strummerville – the Joe Strummer Foundation for New Music, a charity which supports aspiring musicians and global projects that aim to change the world through music.

Quite an accolade, but a deserved one. A talented lyricist and passionate singer, I decided to find out for myself what makes the man tick…

So who the hell are you?

I’m Shambles Miller, your local neighbourhood folkieman. Who the hell are you?

I am Charlie Sheen, man of moderation and fidelity. Describe your sound in ten words or less?

Songs about life, politics, love, sometimes beer. But not pterodactyls.

That’s a relief. There’s a strong element of social commentary in your lyrics – how did that come about and would you describe yourself as a political singer?

It’s just a natural part of my songwriting and always has been, I suppose. As you can probably guess from the song Things That Make Me Angry, I just write about the things I care about. Sometimes that means those things in the world that get my hackles up; sometimes it means songs about friends or beer or love or anything else a person might conceivably care about. I’m yet to write a song about sandwiches though, only because I know my songwriting ability isn’t yet able to express that kind of love.

So I wouldn’t label myself as a political singer; after all there’s not much political content to be found in Beer Song or Robots, for example. I think Billy Bragg’s approach to his being labelled a political songwriter is interesting; he’s been quoted as saying “my theory is this; I’m not a political songwriter. I’m an honest songwriter. I try and write honestly about what I see around me now.”
 

What comes first in the process – words or music?

Och, it depends really. I do write lyrics down, all over the place. I have envelopes and boxes full of unused lyrics. I suppose the majority of the songs I play live or that you can hear on my records tend to be the ones where I’ve been lucky enough for both music and lyrics to appear at roughly the same time. Except of course for AAARRGGHHH!, so called because I was battering the chords and melody around for months before I could settle on lyrics I liked, my varied attempts punctuated by the aforementioned cry. I suppose I could’ve called it FUUUUUUUUUUUUCK!, but two men much wiser than me suggested I try to swear less.

I’ve heard you described as alternatively a new Billy Bragg or Scotland’s Frank Turner – do you like either? Are they an influence??

Yes and yes. I find both extremely flattering, to be honest. I’m nowhere near to earning the kind of respect or acclaim either of those artists have achieved, but you can’t help feeling encouraged when people make those sorts of comparisons. Frank Turner is probably one of the main songwriters who made me feel like I could write the sort of songs I wanted to write and still have people listen, which in turn gave me the confidence to finally get out there and gig on my own. Billy Bragg is a huge inspiration as well, particularly in his political songwriting. That snarl on his version of “Which Side Are You On” (a song I’ve recently rewritten myself) in the line “it hurts me more to hear a scab say ‘sod you Jack’” sends shivers up my spine just thinking about it. There’s something about his music that has the power to make you feel hopeful, even when things seem hopeless. Like things can change, because together we have more power than we know.
 
Strummerville – honoured?

Absolutely! Who wouldn’t be? It’s a great opportunity to be involved with Strummerville and I plan to make the most of it. I wish I’d known they submit your bio as is though. I thought someone rewrote the basic information you send in, but it goes up exactly as you present it, so I sound like a bit of a dafty. Maybe I’ll get a chance to rewrite it at some point.
 
You’re also on Amazing Radio’s tips for 2011. A strange feeling?

Definitely. A real honour of course, but it’s always weird (in a nice way) when anyone gives you that sort of attention, that sort of compliment. I’m still relatively new to this to be honest, I just hope I can live up to such high praise. But if I get to the end of the year without doing much, I’ll just do something MENTAL like live in a hot air balloon for a month with a cat (I’m allergic) or spend all my time vehemently claiming to have invented chalk. If people would like to avoid such crazinesses, book me for nice gigs and such.

You can have a listen to the self-explanatory Things That Make Me Angry Below. It’s from his Shambles Sails the Clockwork Sea which I strongly advise you download via his Bandcamp page.

Slide Into My Hand Pt. 7

A factory floor, pictured yesterday...

Renowned tall bloke and misguided Dundee United fan ‘Big’ Steve Nicoll has produced the seventh edition of his podcast Slide Into My Hand. It’s available for a listen here and features noise-meisters Factory Floor, odd pop types Los Campesinos! Scotland’s own Frank Turner Shambles Miller.

Enjoy!

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