Tag Archive: Lost Telegrams


Lost Telegrams will forever have a place in our hearts, having opened up our first ever gig in September last year.

So it’s with a heavy heart that we have to report their imminent demise. After just a handful of gigs and two excellent EPs, they’re calling it a day before immigration authorities break down the door of drummer Tristan Cruz to cart him back to Canada.

Japanese violinist Yuuka Yamada is also heading off to pastures new, so guitarist Alastair Bowden, singer Ciaran McGuigan and multi-instrumentalist Andy Philip have decided not to continue. 

Boo, bloody. hiss. Their charming, folk-infused tunes, while lovely on record, had considerably more muscle when played live and Ciaran’s impressively soulful voice got a few tongues wagging as much of the Wee Red Bar’s crowd spilled into Brauhaus after curfew on the evening of our aforementioned promotional debut.

We’ll also remember how they gave that night’s soundman palpitations when, after already voicing his concerns over miking up their violin, Andy presented him with an accordion and mandolin. Their beautifully presented first EP also sold out on the night and we were lucky enough to walk away with one.

We had high hopes. Those hopes have been dashed, but we hope to see the band’s talented component parts resurface in another form or forms soon. But for now we’ll simply have to look forward to their last show on the 23rd, back at the Wee Red Bar.

After badgering Alastair for an interview for months, we finally grabbed a chat, just as the band was about to sound its death rattle.

So who the hell are you?

We are Lost Telegrams – and this interview comes just as we are poised on the cusp of destruction.

Describe your sound in ten words or less!

Basically we’re a folky, noisy (dis)array of sounds, with epic drumming, pretty guitars, soaring violins and throbbing bass, led from the front by our singer’s remarkable lungs (and dubious banter).

For fuck’s sake. Can’t you count? Anyway, you’re an international bunch – how did the band come together?

You’re quite right, two of us are from the exotic climes of Aberdeen, and our singer was raised from as far away as Milngavie. The origins of our other members is much less exciting though – Japan and Canada.

Where did the name Lost Telegrams come from?

Our bassist and chief-luddite, Andy, is somewhat resistant to modern telecommunications, preferring to make his views known via telegrams – the name, unsurprisingly, was his idea.

What have your musical achievements been then?

Well, you can listen to, or even buy our new, and final EP on Bandcamp.  Alternatively, if you are coming to our swan song gig, we will throw in a free download with your ticket for a smidgen over four quid.  

Why, oh, why are you splitting up???

Long before the inevitable artistic differences and conflicting personalities had a chance to wear us down, we have been torn asunder by a combination of unfriendly immigration policies and a barren job market.

What have you got lined up for your farewell show?

We’re going back to where it all started at the Wee Red Bar on Friday March 23. If you missed the Beatles in the Cavern Club and Dylan going electric then you can at last make up for it, by witnessing Lost Telegram’s final performance. Ever. Sterling support coming from the excellent Morris Major and another as yet unconfirmed band. Be there.

As suggested above, Lost Telegrams say farewell at the Wee Red Bar on March 23. Get tickets here. Sniff.

Hello there.

We’ll get to the post mortem of The Tidal Wave of Indifference Presents… shortly, but first here’s a sorta gig guide to help keep you entertained for the next few weeks.

First up is the latest Ayetunes-branded gig at Glasgow’s Captain’s Rest on Wednesday (Sept 28). School night gigs are always a problem for us, especially in Glasgow so we won’t be there, but with Jim’s latest venture involves the redoubtable Shambles Miller,  plus the Sea Kings and Spook School who we’re less familiar with. We recommend you make up for our non-attendance and get yourself along – it’ll cost you a mere fiver.

Saturday (Oct 1) brings an unfortunate clash with both the launch of Supermationation’s new EP Amongst the Northern Lochs at the Wee Red Bar (playing two sets – one acoustic, and one plugged in!) plus support, all for free…. and over at Henry’s is the latest Ides of Toad gig (tickets) featuring John Knox Sex Club, Easter and Fuzzystar.

Tough one, this and we don’t envy anyone having to make that choice. Ours is made for us by virtue of a poorly-planned weekend up north which means that we won’t be heading to either. Hopefully you’re getting a bit of a theme here?

Finally, another mention for Michael Feerick and Matthew Collings at the Wee Red on October 16, as put on by Pendulum Man (tickets). Feerick was the frontman of Tidal Wave faves Amusement Parks on Fire so we’re cursing Maw & Paw Tidal Wave for choosing that weekend to foist themselves on us, especially now that the superb Debutant has been added to the bill. Bugger.

And so, to Saturday’s shenanigans at the Wee Red Bar. Some things we’ve learned:

1. Come loaded with pound coins if you’re going to charge something stupid like £6… alternatively just charge a simple price, like a fiver. Keep It Simple, Stupid.

2. Never have any expectation that the soundcheck will run as you’ve planned.

3. A wide variety of instruments will upset a soundman. Greg, our excellent technical guy was stunned that we’d managed to find four bands with a fiddler, which caused some stress. And that’s before we got to Lost Telegrams’ accordion and mandolin.

4. Don’t trust Facebook. Our list of attendees looked healthy pre-gig, but around a dozen or so people we know personally didn’t show. Things come up, we understand, IT’S OK. But it doesn’t work that well as an indication of attendees. But to be quite honest if everyone that said they were coming on Facebook had showed, we would have had to start turning people away. Seriously.

5. Do expect to have an absolute ball.

Seriously, any pre-gig worries about numbers were already dispersing 20 minutes after doors opened as Lost Telgrams were striking up, and absolutely blown away by the time the Douglas Firs hit the stage. We had almost 130 paying punters through the door, and even though a decent chunk of that came from the bands’ cheaper guestlist, we still had enough money to pay all four acts handsomely (we think) and made a modest profit ourselves which we promptly drank in Brauhaus and the Citrus Club.

So….

Thanks to everyone who came along – you surely couldn’t have failed to have fun?

Thanks to the bands. You were all absolutely brilliant. Well, we think… we were rather busy at the door for Lost Telegrams and the Douglas Firs, then totting up money and selling merch during Star Wheel Press. But there were plenty of wonderful sounds coming from behind us. The only band we were able to focus on fully were French Wives, and they were indeed superb. Everyone told us in the pub how great you all were anyway (and here’s a lovely review of the evening if you’ve not already seen it) and I was delighted to see a bundle of merch being shifted too.

Thanks to the staff at the Wee Red. Like the bands, you took a chance on a rookie promoter. I can only assume you made an absolute packet at the bar?

Thanks to Mrs Tidal Wave for keeping me sane on the night, helping with – no, doing – the door and putting up with my drunken foolishness once we’d moved on.

Phew.

We enjoyed it so much we’re DEFINITELY DOING IT AGAIN. Stay tuned!

Bandcrush: French Wives

Scottish indie music is surely in the rudest health it’s been in for years. Frightened Rabbit have blazed a trail with signing a major label deal and the likes of Admiral Fallow, We Were Promised Jetpacks and Broken Records all now have international profiles.

And that’s before you even scratch the surface. Readers of this blog and many others will know all about the many great bands dotted around the country that just don’t get the same recognition.

If there’s one band that could – and arguably should – be ready to hit the same heights, it’s Glasgow’s French Wives. With a number of singles and EPs already under their belts, work on a debut album is well under way with the renowned Tony Doogan in the producer’s chair.

In typical Tidal Wave-style, this is yet another party we’re late for. Desperately late, in fact. Even though they won the inaugural Radar prize, shortly before we linked up with the popular Scotsman-affiliated site, it took us until this year’s Stag and Dagger festival to properly notice them, and we were more than happy to pen a few words about just how damn good they were for the Skinny

We’re definitely fully paid up converts now, which is why we asked them to play our first ever gig night later this month with Star Wheel Press, the Douglas Firs and Lost Telegrams, and were seriously chuffed when they said yes.

While some of the bands could be considered to be quiet and low key, French Wives will be bringing brassy, sing-along choruses and catchy melodies to the Wee Red Bar in a few weeks.

We can’t wait, and had a word with singing guitarists Stuart Dougan and Scott Macpherson this week.

So who the hell are you?

SM: We’re French Wives, a 5 piece indie-pop band surviving in Glasgow. We’re four boys and a girl (the band are completed by violinist Siobhan Anderson, bassist Chris Barclay and drummer Jonny Smith).

Describe your sound in ten words or less!

SM: Melodic indie pop music that is hopefully intelligent, yet accessible.

SD: Definitely not folk music!

You’re in the middle of recording your debut album proper – what can we expect from it?

SM: I think in terms of songwriting, arrangements and production it will represent a massive step up from us. We’ve been immensely lucky to convince the excellent Tony Doogan, who has produced some of our favourite bands, to produce the album for us, and what we have so far sounds like it’s coming along nicely. There are eight new songs, and we’ve completely rearranged our “smash hits” (note the inverted commas!) Halloween and Me vs. Me for the record.

SD: At the moment it’s only about 60% complete but it sounds a lot bigger and better than anything we’ve done before. Tony has made a huge difference in terms of bringing out the best in the songs. It makes us slightly shy in offering up any of our old music in the knowledge that this is going to be vastly superior to what has gone before.  All of which makes it increasingly frustrating that it isn’t finished yet!

And when can we expect to hear it?

SD:  The plan is that it will be out in February 2012 via Electric Honey Records.  There will be single coming much sooner though.

A lot of nice things have been said about the band in the last year. Do you feel a burden of expectation?

SM: Ha, not really. With all the nice things that are said - which isn’t really THAT often an occurrence  there is normally an equal amount of bad press, so it evens itself out somewhat in the end. Plus we’ve been so quiet whilst writing the album and stuff for the past while that it seems that everyone has forgotten about us! So we’re hoping to come back with a bang and be a new exciting band again over the next few months.

SD: It’s nice when people say nice things about your music but it’s all to be taken with a pinch of salt.  There are people that gushed about our band when we first started that don’t seem to bother with us anymore and don’t come any see us anymore so I don’t think there’s a burden as such when it can all be quite fickle.  Ultimately we’re confident that we’re making a record that’s much better than what we’ve done previously and if you like our band you’ll really like this.  A lot of our praise has been garnered from quite a small and specific group of people and something Tony has drummed in to us is that the world is a very big place and there a literally hundreds of thousands of people that are yet to hear our music so it’s not really do or die for us just yet.

What can an Edinburgh gig-goer expect from your live show then?

SM: Hopefully some nice songs and some fun and some singing along if they know the words (we like that!).

SD: Generally plenty of space around them as hardly anyone comes to see us in Edinburgh (we’re keen to address this issue – Ed)!  That being said, those that do venture out will see plenty of the aforementioned melodic indie pop, only a little louder and faster.

 

French Wives? I’ve heard dodgy Dave down the Duck sells DVDs called that…. how the hell did the name come about?

SM: There is an old “erotic” film called French Wives that was released in the ’70s however none of us have seen it – but that’s not through lack of trying (try harder! – Ed)!

SD: A friend was going to use it for their band name but didn’t so we pinched it as we needed something for our first gig.  It was to do with a conversation about Jarvis Cocker having a French wife I believe.  It’s nothing to do with the porno, though we’re all eager to see it if it can be tracked down.

Bloggers running gigs – it’ll all end in tears, right??

SM: Not at all! You bloggers seem to be getting dead good at putting on gigs, and of course the major advantage is that they always get coverage in the blogs! We’ve never played a blogger’s night before though, so it all remains to be seen. I think it will be a good one though. It will be nice to go over and play in Edinburgh at a night with a bit of press behind it.

SD: From what I gather we’re going to play to a group of people, get paid and drink beers.  You might actually be my favourite promoter ever?

Perhaps we should hold back such accolades once we know it won’t just be two mates and a flatulent dog you’re playing to. On that note, you can get tickets to the Tidal Wave of Indifference Presents… right here. We have an amazing line-up, do come!

LIKE OR DIE!

You! YES, YOU!!!

You want to win a ticket to the Tidal Wave of Indifference Presents, don’t you?

What do you mean “what’s that??” We’re talking about the rather fine gig we’re putting on on September 24 starring Star Wheel Press, French Wives, the Douglas Firs and Lost Telegrams of course.

And you, yes, you can win a ticket for yourself and a mate by doing one dead easy thing – hitting the ‘like’ button on our Facebook page.

Here’s how it works – if we get to 100 likes by midnight on Sunday September 11, we’ll do a random draw of the aformentioned likers (excluding those already involved in the gig) for a pair of tickets.

Yes, we’re a wee bit short of that magic number but there’s a whole seven days to go. WE KNOW YOU CAN DO IT.

Can’t make the gig? Don’t ACTUALLY like us – click the button anyway and give others a chance!

Tell your pals – aside from the chance to win this, ahem, pestigious prize, our Facebook page will keep you bang up to date on what we’re up to, and more importantly all the great bands we’re featuring.

Yes, we want you to like us. Yes, we want to promote our gig. But we’re also kind and generous sorts and want to treat YOU to an evening of fine music.

You know what to do.

"Look, Douchebag, just click the damn button!!!"

I’ve namechecked some rotten final parts of well known trilogies in the name of this post.

Thankfully, the final part of my Freshair radio show actually wiznae too bad. Arguably the best and most professionally so far.

Thanks again to Kid Canaveral for their contribution and apologies to King Creosote & John Hopkins and Adam Stafford whose songs were played before we, ahhhh, pressed record.

Hooray!

And who knows, I might be back. Terminator Salvation wasn’t that bad, was it???

Anyway, I can’t seem to embed the damn thing so here’s the link:

http://www.mixcloud.com/Stu_Lewis/tidal-wave-of-dead-air-pt-3/

Yes, after a year of blogging, ligging, and general arm-chancing, the Tidal Wave of Indifference is finally branching out into the inevitable, and putting on our own gigs.

Our first event will be on Saturday September 24 at Edinburgh’s legendary Wee Red Bar with a mouth-watering line-up.

The debut album from Aberfeldy’s Star Wheel Press was named album of the month for June by Team Avalanche and The Life Cycle of a Falling Bird has been practically flying off the shelves down at the Grassmarket. With endorsements from Ian Rankin, Lauren Laverne and more, the band are influenced by Bon Iver and Midlake and have built their sound around Irishman Ryan Hannigan’s languid storytelling and Craig Milton’s sparsely played banjo and guitar. We’re absolutely cock-a-hoop to have them involved.

After a series of successful EPs, packed shows and being named the inaugural winner of the Radar Prize, French Wives are in the middle of recording their debut album with producer Tony Doogan (Belle and Sebastian, Mogwai, Teenage Fanclub) set for release later in the year. Also named as ‘one to watch’ by Drowned in Sound, the Wee Red Bar will be the perfect showcase for their upbeat, classically Scottish songs, before their inevitable push into the big league.

Former Jesus H. Foxx man Neil Insh released the Douglas Firs debut album, Happy As a Windless Flag, a six year labour of love, earlier in the year but is wasting no time in recording a follow-up with a full band in tow. If the new material is half as good as the likes of I Will Kill Again or the Shadow Line, we’re in for a huge treat come September.

Opening the event will be Edinburgh’s latest exciting alt-folk prospect, Lost Telegrams. Currently looking at recording their debut EP, the band hope to have it ready by the time they take the stage at the Wee Red. Still in their infancy as a band, we’re tipping them for big things and are delighted to have them on board.

Tickets will be available for £6 through Brown Paper Tickets. Doors at 7pm, over 18s only (obviously).

For more information, please email thetidalwaveofindifference@gmail.com. There’s also a Facebook page over HERE. Hope to see you there!!!

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