Tag Archive: Four Tet


Looping State of Mind

Album of the Week: The Field – Looping State of Mind

Until Kassidy name their second album ‘Dross’ there will never be a more aptly named album.

The Field, aka Swedish beats boffin Axel Willner, has produced a second album that screams “looping ambient techno” without you having to sample a single note of its music.

That last sentence may have you reaching for the ‘back’ button on your browser, oh fan of fey Scottish indie pop, but we suggest you bear with us for a while as we explain to you why the Field aren’t just another tiresome chin-stroking dance act.

Fans of Caribou, Four Tet and Boards of Canada should instantly identify with the intricate rhythms and spectral, minimalist vocals scattered throughout Looping State of Mind’s seven tracks.

Seven tracks doesn’t sound like a lot, but most of these songs push towards the ten minute mark and only really closer Sweet Slow Club, clunkier and is less melody-based than the rest, truly outstays its welcome.

Listen to opening track Is This Power and we dare you not to be hooked within about five seconds. It loops, circles and shimmies into your brain for all of nine minutes or so. It’s an astounding tune.

A minute or so in when the ‘real’ drums and bass kick in should be the point when you truly sit up and take notice. Yes kids, real instruments, as Herr Willner has been taking the Field out to play as a four piece of late and Looping, while sounding heavily produced and synth-based is full of genuine musicianship. Willner sings a bit too, and while his words are buried in the mix there’s a genuine Kieren Hebden vibe to how he operates.

So then, the Field. Looping? Yes – its repetitive spirals are outstanding. Therefore… state of mind? Rather good, actually.

A wee quickie for May Day Monday… and the last time I’ll mention T in the Park, not least because of the gracious comments made by Mr Geoff Ellis on the pages of this very website a wee while back, despite the ranting tone of my piece.

In that same blog, I had wondered out loud whether selling my T tickets and heading to Latitude instead would backfire with many bands still to be added to the T bill.

I needn’t have worried.

Both festivals announced some line-up additions last week and both were in keeping with my current feelings about my musical summer.

For Latitude we had the mighty Frightened Rabbit (yes, them again!), These New Puritans – producers of one of this year’s best and most menacing albums so far - and the blissed out School of Seven Bells.

There were a handful of others that I hadn’t heard of but this built nicely on an announcement earlier on in the month that included the Kissaway Trail, Tokyo Police Club, First Aid Kit and Black Mountain.

I’m doing my best not to get too annoyed about the involvement of those peddlers of saccharine shite that are the Feeling, but at the end of the day that’s one duff band out of 70+. Even if they don’t clash with someone decent there could still be fun to be had by turning up for their set with some empty bottles and a full bladder.

And T in the Park?

- Joshua Radin who’s having his album plugged via the medium of TV advertising. Sounds like American MOR dross.

- Unicorn Kid who I saw for about two minutes last year and couldn’t stand.

- Unfunny musical pranksters 3OH!3.

- Kids in Glass Houses for the emos.

- Eminem cronies D12. 

That’s the most recent announcement.

On the upside the Drums, Ash, Bunnymen and few other decent acts were announced. Hypnotic Brass Ensemble would also make for an intriguing spectacle, but it’s not enough to make me think again.

Lovely folkie Laura Marling and NYC experimentalists Yeasayer popped up too, but they’re already on the Latitude bill joining Dirty Projectors, Mumford and Sons and the aforementioned Black Mountain among the handful of bands playing both.

So that leaves a very short list of really good acts that I’ll be missing out on – The Cribs, Biffy Clyro (look I like ‘em, ok?!?), Broken Social Scene and Four Tet (and don’t bet against the latter two playing ‘you know where’). I think I can live with that.

But if you’re going to T, please enjoy it. I doubt a moaning muso like me will change your opinion on the whole shebang. But in my absence, make sure you patrol the wee stages for the up and coming, more obscure acts.

And please god stay away from Pete Doherty and Babyshambles, I wouldn’t want you to catch anything…

Teed Off

An open letter to Geoff Ellis, boss-man of DF Concerts, promoters of T in the Park.

Dear Geoff,

Thanks for the terribly predictable T in the Park line-up announced last month with only the merest smattering of quality and originality among the commercial dross you’ve picked out.

It’s never bothered me before, as you’ve always managed to book plenty of bands that I, one of your more discerning regulars, appreciate.

Putting Broken Social Scene, Dirty Projectors and Four Tet in there left me optimistic that there would be more where that came from and I would have enough ‘fringe’ music to amuse me, along some of the better populist choices like Muse and Biffy.

So I was tingling with a little excitement when I heard there would be more bands announced last week.

And what do we get? Madness. Jamie T. Paloma Faith.

Oh dear.

Also in there were Delphic (a decent album, but hardly compulsive viewing) and Frank Turner (don’t mind him, but a few friends appreciate his music a lot more than I do). But overall it was still a massive let down.

So that’s 55 acts announced and I’ve counted 14 that I give a toss about with a meagre seven in the ‘must see’ category.

So what does Moany Music Snob of Musselburgh do now?

Simple. I’m voting with my feet.

Or more to the point, my wheels. It’s a nine or ten hour drive to Sussex, but after I finish this post I’ll be booking tickets to Latitude.

Latitude already has a great looking line-up. Aside from the homely, relaxed atmosphere that the festival is said to have, having the National, the xx and Grizzly Bear headline its second stage is an instant stamp of quality.

The Horrors are in there too and Charlotte Gainsbourg will lend the occasion a bit of Gallic class.

It’s the weekend after T so going to both is clearly not an option, both financially and for childcare – so our T tickets are now up for grabs.

This post was meant to be a general moan about the quality of the Balado line-up, under the premise that I would still be going. I’d scribbled down a few thoughts on who I’d like to see you book. The xx and Grizzly Bear were both on that list.

So were LCD Soundsystem and the Hold Steady, but I can’t see that they’ll be added now. With so many big acts now on the bill, it’ll be up and coming acts that’ll pad it out.

Not necessarily a bad thing, but a hell of a chance to take. A lot of folk go to festivals for the craic and the booze, and that’s undoubtedly a massive part of it, but for me it’s mostly about the music.

In the same way that I can barely tolerate being in a pub or club (Clubs! Ha! I remember them…) that’s playing terrible music, I don’t wish to find myself watching Kasabian in a field, hands stuffed in pockets sulking, because there’s nothing better on. And paying £180 for the ‘pleasure’.

James Murphy, Craig Finn and their respective bands almost certainly won’t be playing Latitude either, but the five acts named above give me the sense that it’ll be well worth the cash. There’ll be lots else happening too.

Latitude takes comedy seriously – Marcus Brigstocke and Kevin Bridges have already been announced. There’ll be talks on films and books, a bit of poetry and some theatre.

Now I’m not going to badge myself as a middle class twat at this point and say “I’m going to a festival for the poetry” as that would be a total lie and not what I’m about.

But, as an alternative to watching the latest sadsack Oasis wannabes playing to a bunch of pissed up neds spoiling for a fight, then Bret Easton Ellis doing a reading from one of his books will do nicely thanks.

And even if I did stick to the music, of only 10 bands announced, four fall into the aforementioned ‘must see’ category with Florence the only one that I’d go out of my way to avoid.

Of course, I’m taking a massive risk. It would just be typical that the second I get my confirmation email from Latitude, you’ll send out another press release announcing that Frightened Rabbit (who are surely a no-brainer), Fever Ray and Sigur Rós are to play T.

But fuck it. As much as I’ve enjoyed T since 1999, having been to Connect in ’08, I’ve found the idea of a smaller, more focused festival hugely appealing.

Am I getting old? Probably? Is T’s loss of appeal coinciding with my own music taste spiralling up my backside? Almost certainly. Am I categorically finished with T? Well, Geoff, I’ll never say never on that front. Who knows?

But at least Latitude will have more beards than Buckie and I’ll be more likely to trip over a buggy than a bam.

And as this is effectively ‘our holiday’ for the year, the road trip and scenic setting will make it more fun than tailgating a coach crawling up the M90 with some wee bellend in a football top baring his arse shouting “T in the fuckin’ Park big man!!!!” at us for the whole journey.

Yours sincerely,

“Evil” Stu

Musselburgh

Now…. does anyone want to buy a T in the Park ticket?

This…

…or this?

Two Months in Music

So it’s just about the end of February. What has this music obsessive been tuning into so far?

Here’s five of the best so far:

Midlake – The Courage of Others

The slowest of slow burners. Van Occupanther was immediate and cheery, this takes times to reveal itself from the cloak of melancholy that surrounds it. It’s getting better with every listen.

Yeasayer – Odd Blood

First album was great and this is also a tremendous, but different, animal. Only Madder Red harks back to All Hour Cymbals, with the rest filed under epic synth-y pop.

These New Puritans – Hidden

Definitely the first album this year that’s had the ‘wow factor’ I was aware of them before but had written them off as new wave/new rave cannon fodder. But this is something else entirely. Shuddering percussion meets traditional woodwind instruments – this really stands out.

The Unwinding Hours – The Unwinding Hours

No-one was sadder than me to see Aereogramme go belly up but I’m delighted to see Craig B and Iain Cook back under a new guise. This is an altogether subtler beast than the likes of Sleep and Release. Craig’s vocals are at the top of the mix and while the rock has been toned down,  There Are Worse Things Than Being Alone brings out the best of both worlds.

Field Music – Field Music (Measure)

Ok, at 20 tracks and two discs this is a little too long but it builds on the template of 2007′s Tones of Town and offers plenty of great tunes, from simplistic guitar pop to complex, almost proggy, arrangements. Worth taking the time to listen to.

Also on the playlist:

Beach House – Teen Dream

Musée Mecanique – Hold This Ghost

Spoon – Transference

Four Tet – There Is Love In You

Vampire Weekend – Contra

To T or Not to T?

To T or Not to T?

Indeed, that is the question. Since my *ahem* lost weekend of 1999 I have missed T in the Park only twice. Once in 2000 when I was still scarred from non-memories of the previous year and in 2006 when I was meant to be going to a wedding in Valencia, but then was meant to be going to my my Nanny’s funeral. But then she didn’t die when she was expected to, so I ended up scowling at TV coverage all weekend.

But enough morbid digressions. This first wave of this year’s line-up has been announced and I’ve met it with my usual mix of annoyance and optimism. It’s full of mainstream shite that I won’t touch with a ten foot pole but peppered with a handful of bands that leaves me optimistic that it’ll once again be a great weekend.

I should point out that the above title is a rhetorical question. Subject to nailing the tickets on Friday, of course I’ll be going. But every year I wonder if it will be my last, even though the responsibilities of fatherhood have seriously limited my gig going opportunities and cramming a year’s worth into one weekend has to be the way to go.

So here are my thoughts on most of the acts announced so far.

Muse – Last album was dross but still an incredible live spectacle and it’ll take some real quality to pull me away from the Main Stage for this.

Eminem – Is anyone actually listening to this nasty, misogynist wanker? I’m not.

Kasabian – actually don’t mind the music. Just don’t want to be covered in beer and piss from the crowd they’ll draw.

Black Eyed Peas – Jesus wept.

Jay Z – Much more respect for him than the above rap ‘superstar’. But it’s still a no.

Stereophonics – Snoooooooooooooore.

Paolo Nutini – Fuck off you stupid hat wearing dipshit. It’s like this country is programmed to like you just because you’re Scottish.

Biffy Clyro – Still love ‘em. Count me in.

Florence – Bat for Lashes and Ladyhawke do it better. My beloved will undoubtedly go but I’ll be looking for something else.

Dizee Rascal – Not for me, thanks.

Vampire Weekend – Their undoubted Main Stage slot will be off-putting but I like them.

30 Seconds to Mars – Jared Leto should stick to acting. They’re TERRIBLE!

Mumford & Sons – Yes please!

The View – Cut your hair, stop turning up pished and write some tunes. And then come back to me. Until then, get the fuck out of my sight.

Hot Chip – Still making decent music, but not great live. It’s a maybe.

Cribs – Like them a lot. I’m in.

Plastikman – Something to do with the Slam tent?

Newton Faulkner – Ginger twat.

The Coral – Scouse twats.

Temper Trap – Saw them last year and wasn’t hugely impressed.

Stranglers – Christ, my pizza’s still in the oven.

Broken Social Scene – YEEEESSSSSS!!!!! A truly brilliant band.

Dirty Projectors – Hurrah! They should be great to watch.

Four Tet – Could be really, really interesting live.

Two Door Cinema Club – Know nothing about them other than the Norn Irn connection.

Black Mountain – Riffs! Power! Rock! Get in!!!!

And that’s that. I’ll be at my laptop at 9am sharp on Friday buying tickets, seething about the amount of mainstream bollocks on the bill but secretly excited about another weekend of beer, booze and Biffy.

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