Tag Archive: 65daysofstatic


Route One Or Die

Album of the Week: Three Trapped Tigers – Route One Or Die

Things you would expect from a band called Three Trapped Tigers:

  • Ferocity
  • Claustrophobia
  • There to be, uhhh… three of them.

You will not be disappointed.

The band (Tom, Matt and Adam) have created eight tracks of dense, hard-hitting experimental rock that makes the likes of 65daysofstatic and Battles sound positively conventional in their make-up.

The album title is a complete misnomer. For footy fans, ‘route one’ is the crude, but often effective technique of hoofing it up it up to your strikers and hoping for the best. This album is more akin to Argentinian midfielder Esteban Cambiasso’s 25-pass World Cup goal against Serbian and Montenegro – the most convoluted, roundabout but technically brilliant route to goal you could possibly imagine.

It’s fair to say that the Wombats, these guys most definitely are not. Instead these guys have been playing their own brand of propulsive, ear-battering music for a number of years and only now have managed to get an album out.

There’s slashing guitars, pounding drums and enough time changes to tie you in knots – and that’s just opening track Cramm, available to download for free below.

You can dance to it, mosh to it or just stand around nodding your head, trying to make sense of it all. Noise Trade – sounding like the time when Metallica’s Kirk Hammett played guitar on a version of Orbital’s Satan will also get you twitching.

Appropriately Creepies cranks up the overwhelming sense of dread with hissing feedback and tribal drums. More restrained than the first two tracks, foot firmly off the pedal, its ‘melody’ is the snaking squall of a guitar which reverts to a chime a few minutes in. It’s an astounding piece of music.

Zil is a quieter number, too quiet really, but its pulsing electronica serves a purpose, breaking up the barrage of noise, but the punishing Drebin and Magne return Route One Or Die to business as usual pretty quickly.

Closer Reset teeters on the brink of prog rock, but just about holds back, Overall, the album is a fine example of what we’re supposed to call math rock, but is probably closer to math metal with a dash of dance too.

It’s technically brilliant and hugely listenable fare. Tidal Wave caught up with keysman Tom Rogerson earlier this week…

It seems to have taken a while to get the album out. Good feeling to be releasing it?

Yes, definitely, it took ages and we haven’t played for a while so good to be releasing it and able to play it to people. That’s why we do this right?

All your EP songs titles were simply chronologically order numbers. Was it a deliberate move to step away from this?

Yes. Originally the numbers thing was to stop people asking irrelevant questions about the titles, but it only drew more attention to it. So now that we’ve named the songs, everyone’s asking us about the names.

What does the title refer to? Football??

Whatever!

Can we expect to see you doing festivals over the summer?

Not that many but we’ll see. Quite a few in Europe.

You can download Cramm here with some streaming audio below:

01_Cramm

Route One Or Die is out on Monday via Blood and Biscuits and will be available on all good download services.

They’re on tour for the rest of the month too:

Leeds Nation of Shopkeepers, May 25

Preston Mad Ferret, May 26

Bristol Start The Bus, May 27

Meadowlands Festival, May 28

London Cargo, May 31

Best Albums of 2010 – 10-6

10.       Errors – Come Down With Me

After a so-so debut, Glasgow’s finest genre-hoppers came of age with this twitchy but mature sophomore effort. Spanning math rock, post rock, Krautrock and god knows what else – underpinned by electro sensibilities, Come Down Me was a minor classic with a couple of floor fillers in Supertribe and A Rumour in Africa. Extra marks for calling the remix album Celebrity Come Down With Me – genius.

9.         The Phantom Band – The Wants

Love, love, loving the work of the Phantom Band at the minute. This was an effortless follow-up to last year’s Checkmate Savage and every bit its equal. There was melody, claustrophobia, yearning and above all, a supreme level of quality. I spoke to the band about the release recently and the results are here.

8.         These New Puritans – Hidden

This was quite the record. I’d written TNP off a while back, thinking them to be simply NME fodder, but I hadn’t factored in Jack Barnett’s talent or ambition. Hidden was a dark, claustrophobic trip into his subconscious, piled high with aggression and the first use of the bassoon on a non-classical album in living memory.

7.         65daysofstatic – We Were Exploding Anyway

This remarkable record saw twitchy math rock outfit 65days turn into dancefloor behemoths. Managing to sound both focused and utterly unhinged at the same time, this is their fourth – and best – record and it really should push them overground. But while the public refuses to divert James Blunt records automatically to landfill, that could still be a while off. This live video for Tiger Girl is a bit shaky and amateurish but I think it captures what the album’s about.

6.         Warpaint – The Fool

Four pretty ladies make an album. Not a remarkable story. Four pretty ladies make an album that’s really, really good? Now you’re talking. That first sentence may seem a little sexist but the fact of the matter is that genuinely decent albums by girl or mostly girl groups are thin on the ground. This was different – sparse, spellbinding, shoegaze that will be remembered for a long time.

Slide Into My Hand Pt 5

Stevie’s back on the airwaves with more tunes and rambled nonsense. Included in this month’s podcast are numbers from Tidal Wave faves Les Savy Fav and 65daysofstatic, plus the tremendously-named Goonies Say Never Die.

Enjoy!

http://www.slideintomyhand.com/?p=31

Bandcrush: Gallops

We Are… Gallops

Gallops

Gallops (bizarrely) play Radio 1's Big Weekend - note dodgy branding in left land corner

Let’s cast our eyes to the south for the first time for a We Are… feature, specifically to North Wales.

Gallops are a noisy bunch from Wrexham who have drawn favourable comparisons to Oxford brainiacs Foals, and not just for the horsey reference.

I can see where the comparison is coming from. I can also hear 65daysofstatic (more about them later) and Holy Fuck in the mix, all in all, a heady, instrumental mix of what we seem to be calling ‘math rock’ these days.

Not a term I’m keen on but if we’re talking awkward rhythms and off-kilter time signatures it seems appropriate enough. Here’s what guitarist Mark Huckridge had to say for himself  this week:

So who the hell are you?

We are Gallops. A four-piece band from Wrexham in North Wales. The town was once famous for its giant-killing football team, but apart from that, not much goes on there. It’s nice though. We use lots of ridiculously expensive musical equipment to create songs that we hope you enjoy. If nobody enjoys it we’ll sell all the equipment, get real jobs and never speak to each other again. We use the word ‘songs’ pretty loosely…

Describe your sound in ten words or less!

Power fit metal for World of Warcraft fanatics on glue.

What you’re doing is defiantly uncommercial but still hugely listenable. What are the key influences on your sound?

Thanks. We are all into very different things, really. It’s hard to say what our key influences are. Obviously there are a lot of artists that have influenced us but I’d say that artists who just work hard and do their own thing inspire us the most, regardless of what music they play. A good work ethic and integrity is paramount. Fugazi are a good example of this. That’s just my opinion though I’m not sure what the other band members would say in response to this question.

The EP’s now obviously out and there’s a tour in progress. What are the next steps – is there an album lined up?

We have got a lot a new material that we are putting finishes touches to composition-wise. We have also been playing some of these live and gauging crowd reactions. The reactions have been really good too, which is nice. We will be demoing some of those tracks soon with the intention of recording an LP. Once we decide which tracks will make the album we will head into studio. We’re not sure when yet but that’s definitely the plan.

You’re doing a few shows with 65daysofstatic very soon – to my mind, one the great underrated bands in British underground music. Were they on your radar before?

Yeah, I’ve got their first album and I saw them play in Wrexham too once. I haven’t heard any of their new stuff though so it will be good to hear some of that. They are a really good live band from what I remember too so we’re pretty excited to be playing with them.

Any plans to tour Scotland or Ireland soon?

We are in Glasgow in November and we plan to play in both Scotland and Ireland, hopefully next year.

There are a number of equine-themed bands kicking about these days – Foals, Band of Horses and so on. What marks you out from the rest of the, ahem, field?

We haven’t sold as many records and we are better looking than them.

Gallops self-titled EP is out now on Blood & Biscuits and available online and from good download services. Here’s a wee video they’ve made:

The band are coming to the end of a short stint of dates, but are lining up more dates for November. Check http://www.myspace.com/thegallopsband for details and catch them while you can at:

Oct 6 Wrexham Central Station (supporting 65daysofstatic)
Oct 7 Kingston New Slang (supporting 65daysofstatic)
Oct 14 London Barbican (supporting Metronomy)
Oct 24 Brainwash Festival, Leeds Brudenell Social Club

Holy Fuck Vs. 65daysofstatic

This week’s featured albums:

Holy Fuck – Latin

Holy Fuck

65daysofstatic – We Were Exploding Anyway

65daysofstatic

Ok, ok, so I just couldn’t decide what to feature this week. I haven’t managed to lay my mitts on the new Fannies record as yet, and lacking anything else decent out this week I’ve gone back to a brace of albums acquired a few weeks back.

Heard of either? Give yourself a pat on the back. Heard of both? Let me shake you by the hand.

Holy Fuck came to prominence ‘over here’ with 2007′s noisy but danceable ‘LP’ and attracted a fair bit of attention, and not just for THAT name.

65days have been around for quite a few years now, primarily playing a glitchy electronic version of post rock to little commercial or critical acclaim. But on this record – their fourth – they’ve tried to make their thrashy rumble a bit more dancefloor-friendly, hence my pitching them into the ring with the aforementioned Canadians to see who’s made the best instrumental post-dance rock glitch-core album this month. Ahem.

And….. fight!!

The first thing that’s apparent from Latin is that Holy Fuck have toned it down a little. Where LP sounded dense and claustrophobic, Latin’s mood is lighter with the gentle piano melodies on Latin America and Stay Lit almost moving into pop territory.

Certainly, in its opening quartet of songs, where once Holy Fuck sounded like two badgers fighting in a sack, the badgers now seem to have made peace and are sharing a cigar and a good chuckle.

Meanwhile, over on We Were Exploding Anyway, 65days (they’re from Sheffield by the way) are changing their sound a bit too. Their early records were dominated by heavily programmed guitars but pre-release talk of a more techno-orientated direction is pretty much on the money. Dance Dance Dance says it all really, and Crash Tactics is a frantic, joyous collision of clattering percussion and uplifting synths.

Six-stringed instruments haven’t been chucked out entirely but they’re much deeper in the mix and the first half of the album is characterised by some fabulous electro.

Round 1 to 65days? Well, Holy Fuck haven’t changed completely… Silva and Grimes would sit happily on their previous albums with its angry Korg-bashing before moving up the gears with rapid fire drumming. SHT MTN is ferocious despite being sparsely instrumented, and adds in some sampled vocals, while Stilettos sounds as if someone has set a keyboard to play one of those dreadful demos before smashing the shit out of it with a baseball bat. Lovely.

Now did I mention vocals above? Because over on the 65days record, one Robert Smith – he of the dodgy make-up and Scissorhands hair fame - has dropped in to sing a few bars on Come To Me, looped constantly over some house-y piano. Go Complex has annexed some FX from the Empirion remix of Firestarter and is a major headfuck. Thankfully Debutante slows things down a little before it spins out of control.

So in order to try and keep up this flimsy boxing metaphor, who’s the winner? 65days are probably winning on points until their final track Tigergirl kicks in. Bombastic danceable rock at its best which delivers a knock-out blow.

The Holy Fuck album is good but 65days have finally turned into something pretty special. Both are exploring territory arguably already covered by the magnificent Errors but both have their own spin on the sound and are seriously recommended listening.

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