Category: Random Nonsense


Yes, it’s that time of year again – absolute heaven for list writers as we try to assemble our favourite albums of the year into a single, ordered list.

We’ve gone for 50 this time rather than 25, although last year we did name our ‘next 25′ (unordered) as well as a further ten that we’d hoped to have listened to more.

We’ve not done that this time, although we appreciate the futily/ridiculousness of a single man assembling no fewer than 50 pieces of listening pleasure into an order of preference; also the fact that if it had been a different day and different mood, the make-up of this list could have been radically different. But sod it.

Here’s a blast through 50-26 with audiovisual context for all these great albums. The next five days will cover 25-1 with a bit more on why the Tidal Wave of Indifference thinks they’re so good. Here we go….

50. The Douglas Firs – Happy As a Windless Flag

A fine effort from the Edinburgh act, exemplified by key songs I Will Kill Again and The Shadow Line.

49. The Phoenix Foundation – Buffalo

Who said Kiwis couldn’t do dreamy indie?

48. Explosions in the Sky – Take Care, Take Care, Take Care

Perhaps not their best, but their always interesting and epic.

47. Friendly Fires – Pala

A decent fist of following up 2008′s debut. Simple pop songs crammed with hooks.

46. The Antlers – Burst Apart

Again, not in the same league as their amazing debut Hospice, but we’ve a lot of time for Peter Silberman and his squad.

45. Driver Drive Faster – Open House

Polytechnic weren’t great but their key figures regrouped for this lovely slab of indie pop, championed by Marc Riley

44. The Field – Looping State of Mind

Mind-warping German shoegaze techno. Nice.

43. Sparrow and the Workshop – Spitting Daggers

Increased momentum from Jill O’Sullivan and co. Every bit as good as their brace of mini-albums from the past few years.

42. The Kills – Blood Pressures

Their best yet? Unlike Jack White, Alison Mosshart hasn’t let the distraction of the Dead Weather get to her.

41. Bibio – Mind Bokeh

Good stuff this, a freaky eclectic album that defied all genres.

40. Dutch Uncles – Cadenza

A more than reasonable attempt at XTC-aping wonk-pop from a young Manchester troupe.

39. United Fruit – Fault Lines

Scotland does Fugazi/Trail of Dead noise. And does it damn well.

38. The Go! Team – Rolling Blackouts

A return to form after a lengthy absence with help from Bethany Best Coast.

37. Elbow – Build A Rocket Boys

They’ll never recapture the magic of Asleep in the Back but it was a darned sight better than their dreary 2008 Mercury winner.

36. Mazes – A Thousand Heys

Joyous, scuzzy indie pop that does exactly what it says on the tin.

35. And You Will Know Us By the Trail of Dead – The Tao of the Dead

A fresh line-up and fresh ambition from the Texans. Big rock songs and proggy madness. 

34. Wye Oak – Civilian

Built mainly on two songs – Holy Holy and Dog’s Eyes – what songs they were.

33. Lykke Li – Wounded Rhymes

Former pop ingenue took on Jonsí-esque levels of lunacy and created a stunning record of massive tunes.

32. Come on Gang! – Strike a Match

Already much-missed Edinburgh indie-pop three-piece’s first – and last – album.

31. Trips and Falls – People Have to Be Told

Tongue-in-cheek pop from Song, by Toad’s American imports.

30. Adam Stafford – Build A Harbour Immediately

Very much a slow burner. We were unconvinced after his album launch but repeated listens saw this shoot up in our opinion and we’re now converts to his live show too.

29. Kurt Vile – Smoke Ring for My Halo

Sleepy, stoned stuff from the prolific singer-songwriter.

28. Kate Bush – Fifty Words for Snow

Utterly, utterly baffling. Stephen Fry naming (oh yes) fifty words for snow, a song about shagging a snowman and a rare occasion where an Elton John guest appearance enhances, rather than ruins, a song.

27. The Horrors – Skying

The NME still love them, and this is some rare common ground for ourseleves and the increasingly childish music weekly. Where shoegaze meets garage meets dream pop.

26. Low – C’mon

Probably their best album in three years, this was short, sharp and bloody great.

So, there are two albums worth highlighting that don’t really fit into the ‘artist album’ category that we’d like to talk about before we reach the main event of our top fifty countdown tomorrow. There’s no order here, these are both just excellent albums.

The Fruit Tree Foundation

Idlewild’s Rod Jones has been behind this project to raise awareness of mental health issues for a few years now and while this was “technically” out last year, the physical release only came out in early 2011 so it definitely counts. And it’s all for a great cause, so we’re not going to pass up an opportunity to mention it. James Graham (Twilight Sad), Scottish Hutchison (Frightened Rabbit), Jill O’Sullivan (Sparrow and the Workshop), Emma Pollock and James Yorkston all featured prominently and with artwork by Aiden Moffat, what are you waiting for. Buy it HERE, tightwads.

Jonnie Common Presents Deskjob

A unique piece of work where island electro popster reworked a number of songs by other Scottish artists such as eagleowl, Panda Su, Meursault, Conquering Animal Sound and more. We suppose it’s a remix album of sorts but most tracks are merely subtle rearrangements of existing material with Common’s little flourishes a unifying theme. All told, it’s lovely stuff. Don’t believe us? The album is previewed below.

So you’ll have seen the BBC’s much vaunted 2012 Introducing list then and have been suitably impressed/outraged/indifferent, yes?

Needless to say there’s not a lot on there to interest the Tidal Wave of Indifference and our own reaction was little more than shrug, snort and shake of the head.

We’ll not pore over the nominees, because to be perfectly honest, we haven’t heard of most of them.

And of those we have, we’re confident that they’re “not our thing” based on looks, press coverage and the thoughts of our peers. Even the only two ‘traditional’ guitar bands in there (Dry the River and Spector) sound mince.

Even our cat hadn't heard of Azaelia Banks - and she LOVES dreadful pop music

Yes, we most certainly are judging books by their covers, but isn’t that what being a music snob is all about. And the motto of this blog is of course, ‘Life’s Too Short to Listen to Shit Music’ We’re also far more prepared to trust the blogs than a bunch of so-called industry tastemakers, and that’s where Andy Von Pip of the Von Pip Musical Express comes in.

Von Pip has polled some of country’s best known and just generally ‘best’ blogs (and ourselves) about who the real sound of 2012 should be.

A longlist, which will be narrowed down in the New Year, is below and we’re delighted to see one of our nominees (we had to submit five) in here. Can you guess who?

We haven’t heard of all these but are willing to bet there’s a lot more musical invention, spirit and actual quality in here than what the Beeb have come up with:

Houdini Dax

French Wives

The Good Natured

Lianne La Havas

Theme Park

Alt J

The Jezabels

Lucy Rose

Bastille

Beth Jeans Houghton

Friends

Washington

Meursault

Daughter

Outfit

All acts have tracks streaming HERE.

The other participating blogs were: Breaking More Waves, My Band Is Better Than Your Band, God Is In the TV, Sweeping The Nation, The Von Pip Musical Express, The Recommender, Faded Glamour, Drunken Werewolf, Flying With Anna, Not Many Experts, Under-classed Idle Ideas, Sonic Masala, Mudkiss, The Ring Master, Both Bars On, Music From A Green Window, Dots And Dashes, The Daily Growl, And Everyone’s A DJ, Kowalskiy, Just Music I Like, Cruel Rhythm, The Blue Walrus, Music Fans Mic, 17 Seconds, Eaten By Monsters, Seven Sevens, Unpeeled, NuRave Brain Wave, Peenko, Music Liberation, Song, By Toad.

Christmas is coming and the Tidal Wave of Indifference is getting fat.

Turkey, mince pies, huge fuck off vol-au-vents and the suspension of our weekly outdoor football match to allow Meadowbank to thaw out means that we’re likely to be a bit on the porky side come early January, and we haven’t even mentioned the copious amounts of booze to be consumed.

Undoubtedly, a lot of that is going to be at various Xmas-themed gigs happening throughout December. So who’s doing what and when? Well here’s a wee round-up for you.

1. Ok, not strictly a Christmas gig this, but it IS happening in December… Last Year’s Girl is the latest internet scribe to ignore the adage “bloggers putting on gigs? It’ll never work” and is dipping her toes into shark infested waters with her first event at on Dec 2. It’s billed as a “Friday Night Speakeasy” – it’s a great line-up, and a massive departure from other blogger nights, in that it’s not focused on quality local talent. Instead, we have former Hold Steady man and accomplished solo artist Franz Nicolay, Londoner Chris T-T and a chap called Dave Hughes who we’re not familiar with.

It’s at the intriguing Old Hairdresser’s venue which is across from Stereo in Glasgow Tickets are HERE:

2. Gerry Loves Records are now an Edinburgh institution and them holding a Christmas party is no great surprise. Nor is the fact that the line-up is all about the best of the bands who’ve put out material on the label, with PAWS headlining and Trapped in Kansas, Wounded Knee

It’s at the Banshee Labyrinth, also on Dec 2 and there’s more info on the Gerry Loves Facebook page.

3. New-ish Edinburgh blog Beard of Truth – which may or not be inextricably linked to the Last Battle – are putting on their Heavy Christmas Pop Party on December 3. Edinburgh NME tips PET are headlining with jangly indie from Spook School and the mysterious Calypso Brown also on the bill. There are also promises of mince pies for gig-goers. Yum! Tickets are HERE.

4. Song, By Toad‘s bash last year at the Queen Charlotte Rooms in Leith last year was absolutely superb and we’re delighted it’s happening again, this time fleshed out to an all-dayer (December 10) and relocated to the St Stephen’s Centre in Stockbridge. Matthew Toad says the emphasis should be on fun, with loose performances and collaborations by the cream of the label’s talent – including Meursault, Rob St. John, Lach and the Japanese War Effort… We’ll see you there, yes? You can get tickets HERE.

5. Details about this one are still a little sketchy, BUT Supermarionation and Trapped Mice will be playing the Wee Red on December 15, with hopefully a few more acts. Sounds like fun, we say. Find out more HERE.

6. Lets move west for what could be a massive mindfuck. The Phantom Band putting on a panto? Oh yes. It’s on the 16th and 17th of December at Stereo. The band will be playing live on both nights with a number of special, secret guests (try RM Hubbert for starters) and DJs. There will be art installations too, and the nights will be dressed up as a ‘proper’ panto albeit with a weird and wonderful narrative and over two nights. Baffling. Tickets HERE though.

 

7. Then there’s Kid Canaveral’s Christmas Baubles. This went down an absolute storm last year and it must have been an easy decision to bring it back for a second year. The Fence pop maestros are naturally playing, along with Scottish indie über-fan Josie Long, eagleowl and ex-De Rosa man Martin John Henry. Topping the bill are the rather fabulous Slow Club, whose new album has been getting rave reviews all around.

It’s happening at Summerhall in Edinburgh on Dec 17 and tickets are HERE.


 

8. Last, but not least is Glasgow Podcart’s Nightmare Before Christmas at the Captain’s Rest on December 18. Topping the bill are As In Bear with rather splendid support bill of PAWS (yes, them again), Citizens and Lady North. Tickets are a mere fiver on the door!

And hey – we’re not exactly all knowing like that fella Jesus. Or was it Sauron? Anyway, if there’s a Christmas themed music bash happening that we need to know about, tell us and we’ll update this post!

Gratuitous October Plugs

Evening bairns.

This seems to be happening with increasing regularity. Us getting sent lots of stuff that we want to tell you about, that just don’t fit with our Album of the Week/Bandcrush template.

- So what’s on our minds just now? Well, we’ve made no secret of our love for French Wives, even them roping them into our debut gig, which we promise to shut up about one of these days, but we’re now happy to say that their pre-album release promotion trail is now in full swing with a new single and live dates upcoming. The single’s called Numbers, and you can listen to it below and catch them at the following dates. Do go, etc…

Oct 19 Aberdeen Drummond’s Café

Oct 20 Glasgow Mono – single launch with Endor and Blochestra

Oct 22 Edinburgh Third Door

Oct 23 Newcastle Tyne Bar

Oct 24 London Bull and Gate

- And while we’re on the subject of plugging tours, Brooklyn’s Numbers and Letters are over for an unusual, and dare we say brave tour, taking in the following dates:

Oct 11  House show at 26 Peterswell Brae, Stirling

Oct 12 Gourock Cafe Continental

Oct 13 “Surprise Show” in Glasgow (nope, us neither)

Oct 14 Inverness Hootananny

Oct 15 Thurso Newmarket Bar

Oct 16 Glasgow Brel

God knows what dark folkie types from NYC will make of Gourock and Thurso, but good luck to them. We like how they sound anyway, so here’s hoping they find a willing audience in Scotland. You can have a listen to them covering Tom Waits below.

 

- Soooooo, speaking of gigs, you’ll have got your ticket to Pendulum Man’s night of Michael Feerick, Matthew Collings and Debutant in Edinburgh on October 16, yes?

- And how about this… Laki Mera who we featured earlier in the year are in the final five in a competition to head to the Big Apple. They’ll perform two songs in front of a panel of, ahem, “industry experts” at the Garage in Glasgow for their chance to play at Scotland Week 2012 in New York and at the prestigious Scottish Music Awards – The Tartan Clefs in November 2011. Also up for the cup are Woodenbox and Song of Return so it sounds like an evening of quality music is in the offing. We like Laki Mera muchly so wish them the best of luck. They’ve also had album track Crater remixed by Mogwai. It’s rather splendid and available to download for nowt over on their Facebook page, where you can also win tickets for the above event.

- You can’t fail to have missed the latest announcement by the BBC on cuts to staff, services and so on to cope with the licence fee freeze, and in particular the imminent end to Ally McCrae’s BBC Introducing show on Radio 1. Now we found the midnight-2am Sunday night timeslot a little prohibitive, and often didn’t quite manage to go back on iPlayer, but that’s by the by. McCrae is an engaging presenter with maximum focus on up and coming young Scottish talent and the axing of this show removes an excellent chance for new bands to be heard from the airwaves. Let’s face it, a non-regionalised BBC Introducing show just won’t present the same opportunities. There’s a whiff of last year’s (successful) campaign to save 6 Music about this, but a petition to save Ally’s slot from the axe is now open. If you’re interested in Scottish music we suggest you sign it.

- More promisingly, entries for the 2011 Radar Prize are now open. Last year’s winners French Wives (yes, yes, them again) have gone from strength to strength and with 60+ entries already received for this year, we’re hoping for the same quality that 2010 presented. As a Radar contributor, we’ll be on the judging panel too. Details HERE.

- Finally. something a bit different. A friend of a friend has made a feature-length documentary about the Oxford music scene, not just looking at the biggies like Radiohead but mainly at other guys like Ride, Foals and the smaller fish from way back like Talulah Gosh and the Candyskins, called “Anyone Can Play Guitar”. You might have heard of it. Anyway, you can read more here, and director Jon Spira will be taking it to Edinburgh’s Cameo on November 29. There’s no distributor and he’s doing the whole thing independently, so come along and show your support for good music and fine film-making! Here’s the trailer. Guten nacht!

Anyone Can Play Guitar Trailer from video jon on Vimeo.

Hello there.

We’ll get to the post mortem of The Tidal Wave of Indifference Presents… shortly, but first here’s a sorta gig guide to help keep you entertained for the next few weeks.

First up is the latest Ayetunes-branded gig at Glasgow’s Captain’s Rest on Wednesday (Sept 28). School night gigs are always a problem for us, especially in Glasgow so we won’t be there, but with Jim’s latest venture involves the redoubtable Shambles Miller,  plus the Sea Kings and Spook School who we’re less familiar with. We recommend you make up for our non-attendance and get yourself along – it’ll cost you a mere fiver.

Saturday (Oct 1) brings an unfortunate clash with both the launch of Supermationation’s new EP Amongst the Northern Lochs at the Wee Red Bar (playing two sets – one acoustic, and one plugged in!) plus support, all for free…. and over at Henry’s is the latest Ides of Toad gig (tickets) featuring John Knox Sex Club, Easter and Fuzzystar.

Tough one, this and we don’t envy anyone having to make that choice. Ours is made for us by virtue of a poorly-planned weekend up north which means that we won’t be heading to either. Hopefully you’re getting a bit of a theme here?

Finally, another mention for Michael Feerick and Matthew Collings at the Wee Red on October 16, as put on by Pendulum Man (tickets). Feerick was the frontman of Tidal Wave faves Amusement Parks on Fire so we’re cursing Maw & Paw Tidal Wave for choosing that weekend to foist themselves on us, especially now that the superb Debutant has been added to the bill. Bugger.

And so, to Saturday’s shenanigans at the Wee Red Bar. Some things we’ve learned:

1. Come loaded with pound coins if you’re going to charge something stupid like £6… alternatively just charge a simple price, like a fiver. Keep It Simple, Stupid.

2. Never have any expectation that the soundcheck will run as you’ve planned.

3. A wide variety of instruments will upset a soundman. Greg, our excellent technical guy was stunned that we’d managed to find four bands with a fiddler, which caused some stress. And that’s before we got to Lost Telegrams’ accordion and mandolin.

4. Don’t trust Facebook. Our list of attendees looked healthy pre-gig, but around a dozen or so people we know personally didn’t show. Things come up, we understand, IT’S OK. But it doesn’t work that well as an indication of attendees. But to be quite honest if everyone that said they were coming on Facebook had showed, we would have had to start turning people away. Seriously.

5. Do expect to have an absolute ball.

Seriously, any pre-gig worries about numbers were already dispersing 20 minutes after doors opened as Lost Telgrams were striking up, and absolutely blown away by the time the Douglas Firs hit the stage. We had almost 130 paying punters through the door, and even though a decent chunk of that came from the bands’ cheaper guestlist, we still had enough money to pay all four acts handsomely (we think) and made a modest profit ourselves which we promptly drank in Brauhaus and the Citrus Club.

So….

Thanks to everyone who came along – you surely couldn’t have failed to have fun?

Thanks to the bands. You were all absolutely brilliant. Well, we think… we were rather busy at the door for Lost Telegrams and the Douglas Firs, then totting up money and selling merch during Star Wheel Press. But there were plenty of wonderful sounds coming from behind us. The only band we were able to focus on fully were French Wives, and they were indeed superb. Everyone told us in the pub how great you all were anyway (and here’s a lovely review of the evening if you’ve not already seen it) and I was delighted to see a bundle of merch being shifted too.

Thanks to the staff at the Wee Red. Like the bands, you took a chance on a rookie promoter. I can only assume you made an absolute packet at the bar?

Thanks to Mrs Tidal Wave for keeping me sane on the night, helping with – no, doing – the door and putting up with my drunken foolishness once we’d moved on.

Phew.

We enjoyed it so much we’re DEFINITELY DOING IT AGAIN. Stay tuned!

LIKE OR DIE!

You! YES, YOU!!!

You want to win a ticket to the Tidal Wave of Indifference Presents, don’t you?

What do you mean “what’s that??” We’re talking about the rather fine gig we’re putting on on September 24 starring Star Wheel Press, French Wives, the Douglas Firs and Lost Telegrams of course.

And you, yes, you can win a ticket for yourself and a mate by doing one dead easy thing – hitting the ‘like’ button on our Facebook page.

Here’s how it works – if we get to 100 likes by midnight on Sunday September 11, we’ll do a random draw of the aformentioned likers (excluding those already involved in the gig) for a pair of tickets.

Yes, we’re a wee bit short of that magic number but there’s a whole seven days to go. WE KNOW YOU CAN DO IT.

Can’t make the gig? Don’t ACTUALLY like us – click the button anyway and give others a chance!

Tell your pals – aside from the chance to win this, ahem, pestigious prize, our Facebook page will keep you bang up to date on what we’re up to, and more importantly all the great bands we’re featuring.

Yes, we want you to like us. Yes, we want to promote our gig. But we’re also kind and generous sorts and want to treat YOU to an evening of fine music.

You know what to do.

"Look, Douchebag, just click the damn button!!!"

I’ve namechecked some rotten final parts of well known trilogies in the name of this post.

Thankfully, the final part of my Freshair radio show actually wiznae too bad. Arguably the best and most professionally so far.

Thanks again to Kid Canaveral for their contribution and apologies to King Creosote & John Hopkins and Adam Stafford whose songs were played before we, ahhhh, pressed record.

Hooray!

And who knows, I might be back. Terminator Salvation wasn’t that bad, was it???

Anyway, I can’t seem to embed the damn thing so here’s the link:

http://www.mixcloud.com/Stu_Lewis/tidal-wave-of-dead-air-pt-3/

A Tidal Wave of Dead Air

Part two of my radio show on Freshair took place on Sunday night and despite one or two Gremlins, i.e. a presenter unable to use the software properly, it went rather well.

There was live music from Debutant and tunes from Black International, Warpaint, Battles and loads more. You can listen again below, with some niggles helpfully ironed out in the edit by producer Christian Illingworth.

Back on the air on Saturday (August 27), 8-9pm.

So we’re, ahem, tossing off the shackles of our usual WE ONLY REVIEWS ALBUM REVIEWS AND DO Q&As WITH BANDS, WE DON’T DO NEWS, NO WE WON’T ‘JUST PUT UP YOUR VIDEO’ mantra and, well, doing exactly that.

We’re not going to be doing a regular news slot but if a clump of interesting things that tickle our fancy crop up at around the same time, we’ll try and do something with them.

First up, following our exclusive Amusement Parks on Fire feature from a few months back, we’re delighted to hear that the band’s Michael Feerick is coming to Edinburgh on October 16. Hooray! To quote Pendulum Man, for tis he that’s putting on the gig:

Amusement Parks On Fire have variously been described as “sporadic, hedonistic, teenage genius”, “a subconscious, sleeping study in nightmarish beauty”, and “adventures in sound that merely wipe the floor with every seismic pretender who’s ever tried to work out the lyrics to ‘Soon’ and recreate every chord sequence found on ‘Isn’t Anything’ “.

This, though, promises to be something rather different to their usual thunderous crescendo of stargazing as perfectly highlighted in their third album, 2010′s ‘Road Eyes’.

In his first visit to Edinburgh since May 2009, Michael Feerick will return for a unique, intimate, acoustic solo show. This promises to be a rare chance to experience the ethereal APOF assault stripped back to it’s most haunting, beautiful rudiments.

Oh yes. It’s at the Wee Red Bar, £5 a skull with support from Matthew Collings. More details on the Facebook event page.

Get your asses along.

Staying with gigs, those big bairns Ayetunes and Peenko are staging their fourth gig on Saturday night (August 20) in Glasgow’s Stereo. The thunderous PAWS have pulled out, but it’s the launch night for Adam Stafford’s acclaimed new album with support from Miaoux Miaoux and Mondegreen.

£6 on the door, hope to see you there.

Finally, some news from Tidal Wave faves the Son(s). There’s a lovely new video for old single Dogs, Boys and Men doing the rounds and they’ve made another two songs to download for free as well. That makes us immensely happy, as does the video:

Dogs, Boys & Men from The Son(s) on Vimeo.

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