Category: Random Nonsense


The BAMS 2012

That’s Blogs and Music Sites to the likes of you, aye?

Yes, it’s the annual poll – marshalled by Peenko – of Scottish bloggers of the best album of each of the last four years. Previous winners have been the Phantom Band, the National and Bill Wells and Aidan Moffat and 2012 was as hotly contested as any that came before.

BAMS

You’ll know who the The Tidal Wave of Indifference voted for, but who else was involved?

This year there was a whopping 41 entries, including votes from the following bloggers, music sites and DJs:

Scots Whay Hae!, Jim Gellatly, Detour, Jock N Roll, Houdidontblog, Rave Child, Fusion New Music, Fish In A Sub, Manic Pop Thrills, Kowalskiy, 17 Seconds, Net Sounds, The Steinberg Principle, Songs Heard On Fast Trains, Hercules Moments, Dauphin Mag, JockRock, Play That Song For Me, The Spill, HP, Inverness Gigs, Elba Sessions, Fresh Air, Scottish Fiction, Tenement TV, Marion Scott MFR, Last Year’s Girl, Dear Scotland, Blues Bunny, The Pop Cop, Vic Galloway, Ally McCrae, Glasgow PodcART, I Hate Fun, Avalanche, Edinburgh Man, Everything Flows, Nicola Meighan, Aye Tunes and Song, by Toad.

So here’s the rundown:

Joint 9th – Chris Devotion & The Expectations – Amalgamation & Capital / Paul Buchanan – Mid Air / The Twilight Sad – No One Can Ever Know / We Are The Physics – Your Friend, The Atom

8th – Admiral Fallow – Tree Bursts In Snow

7th – Sharon Van Etten – Tramp

6th – Miaoux Miaoux – Light Of The North

5th – Errors – Have Some Faith In Magic

4th – RM Hubbert – Thirteen Lost & Found

3rd – PAWS – Cokefloat!

2nd – Django Django – Django Django

1st – Meursault – Something for the Weakened

We’re a little disappointed that our top pick Human Don’t Be Angry didn’t feature anywhere, but pleased to see PAWS and Sharon van Etten in there. The winner is also pretty hard to argue with! And good ole Lloyd fae Peenko knobbled Neil Pennycook fae Meursault for a word about this sensational victory.

Congratulations Neil, you are this years’ winners of the Scottish BAMS award, how do you feel?

Neil Pennycook by Mike Melville (Manic Pop Thrills)I feel like the chubby lad at school after being picked first for the football team. I fear that any minute now I’m going to be told it’s all a joke and you’re going to burn my shoes and flush my head down the toilet.

It seems to have been a pretty exciting year for the band, what with European tours supporting Clap Your Hands Say Yeah to headlining the Queen’s Hall back in July, aside from winning this years BAMS, what’s been your personal highlight of 2012?

My highlight is probably the Queen’s Hall gig. I’ve wanted to play that venue since I was eighteen. Feels nice to have ticked that one off.

Last years the BAMS was won by Aidan Moffat and Bill Wells, who later went on to win the SAY Awards. Have you allowed yourself the thought that you might potentially be in with a shout at next years SAY Awards?

What? I thought this was the SAY awards? You ARE still giving me £10,000 though right?

I noted that once again you’ve decided not to head over to Austin for next years SXSW, is not something that interests you or are you just keeping our friends on the other side of the pond waiting?

It’s not something that appeals to me to be honest. I get really tired of the competitive aspect of playing music and do my best to avoid it. I’ve no interest in travelling halfway round the world (at great expense) to peddle my music to pissed up strangers in laminates. Playing in the States is something that I’m keen to pursue but not that way.

How important do you feel that the support of music blogs has been to the band?

It’s been hugely important for us. After all it was a blogger (Song, by Toad) who put out our first three records.

Seeing as we are on the subject of albums of the year, what have been your personal favourites of the last 12 months?

I’ve not sure if all of these came out this year but I’m going with them anyway… ChadVangaalen – DiaperIsland; Youth Lagoon – The Year of Hibernation; Charles Latham – Fast Loans; Grouper – Alien Observer and PAWS – Cokefloat! Cheers!

Well, we hope you enjoyed that muchly. This is our last post of the year but 2013 is already looking braw with a fine slew of albums due in the first few months of the year alone. If you still fancy pissing about on blogs for the next few days however, may we direct you to the song and album of the year polls on Song, By Toad and the reader’s poll on Aye Tunes where you get to pretend that you both read and enjoy The Tidal Wave of Indifference in the ‘best blog’ category.

For us this year has seen a steady rise in readers right the way through which is awesome, so thanks all! We also put on four gigs too – we couldn’t possibly pick a highlight, as all the bands were amazing! If there was a standout moment, though, the sight of Philip from PAWS reacting to the news that his headline set only had one song left by launching his guitar across the stage, would definitely be up there!

Happy New Year, bitches!

Right. Here we go, the final five.

5. Cloud Nothings – Cloud Nothings

Angry and venomous, this was a broadside from absolutely nowhere that painted a bleak picture of young America in 2012. No Future, No Past got things off to a snarling start, and only the occasional poppy melody (Fall In) lifted the mood. Awesome stuff.

4. Sharon van Etten

The National’s Aaron Dessner played a huge part in the album, but in truth, this was the unveiling of a major new talent. Heartfelt and bruised, van Etten added a country twang to Tramp’s honest laments. We hear Pitchfork have lapped this one up too, which is no surprise, and will draw it to the attention of the wider world. Deservedly so.

3. PAWS – Cokefloat!

We heart PAWS. Of course we do. They topped the bill at the biggest of our gigs, then muscled their way on the 6 Music playlist and spewed out a superb album. We knew most of the songs already, but in this case familiarity bred adoration. Well done, boys. Well done.

2. Meursault – Something for the Weakened

After hearing ‘loud Meursault’ for the first time at Homegame 2011, we knew their third album was going to be a very different beast to previous efforts. Flittin’ and Dull Spark captured the beefed up live sound but there were quieter moments too – not that Settling and Dearly Distracted could be considered lightweight. A wonderful album, launched courtesy of the gig of the year at the Queen’s Hall.

1. Human Don’t Be Angry – Human Don’t Be Angry

The idea that Malcolm Middleton was retiring his solo act in favour of something more instrumental was deeply troubling at first. That wry Falkirk burr and dark hearted lyrics couldn’t possibly be shelved, could they? Well yes, for the most part at least. This wasn’t 100% instrumental, but it is 100% album of the year. Even with the ridiculous consistency of Middleton’s solo output, this stands out, with its wistful guitar work sounding like Remember Remember in patches, and UNKLE in others. A massive treat, go buy it if you don’t already have it, and enjoy our little chat with Mr Middleton himself below.

Malcolm! How does it feel to win such a non-prestigious, non-tangible award?

It feels amazing, I haven’t ever won an award before. I’ll put it on my virtual mantelpiece. I’ve always believed that I spent all my winning luck at the Falkirk Family Day when I was 10. I won a football, a coconut, a bag of sweets and two teddy bears. I was unstoppable! But since then….nothing. Zero. Zilch.

Sorry - we know it's an old picture but we couldn't resist...

Sorry – we know it’s an old picture but we couldn’t resist…

What inspired the change of direction in the first place?

I fancied doing something lighter, without the weight of all the words. I’d forgotten how much I enjoy playing guitar, without having to worry about saying anything.

Do you feel audiences have been receptive to the new songs?

Nah, not really! It was difficult, and I think people were confused by the name change and all that. It was good to see people who like my song stuff could appreciate it too, but I don’t think it won over many new listeners.

We hear you’re playing Kid Canaveral’s Christmas Baubles as yourself – looking forward to it?

Yeah, lots. It was good to have a break but now I’m excited again about embracing the misery! I’ve had time to clear my head and stand back and look at what I’ve been doing and where I want to go from here. Musically speaking. And it’ll be one hell of a Christmas party!

What do you think 2013 will bring?

I have no way of knowing this. For me, hopefully it’ll bring the release of my two collaboration albums, one with David Shrigley, and the other with Mira Calix. I’m working on my next solo album now too, but I’m not sure when it’ll be ready. I’d like to play live as much as I can too, to break the new songs in before I record them.

We have no witty anecdote or grumble to kick off the latest installment of our countdown. Instead, here’s yet another Christmas kitteh!

another kittehRighty-ho.

10. Perfume Genius – Put Your Back In 2 It

We’ve got to thank Graeme from The Bad Books for the recommendation here. After picking this up for only a few quid, Mike Hadreas delivered a spellbinding set at Latitude. An incredible album.

9. Miaoux Miaoux – Light of the North

Did we ever tell you about the one about where we came within a whisker of putting on the Edinburgh launch of Julian Corrie’s album? Another day maybe; it didn’t matter – this was a near perfect fusion of danceable pop music, peppered with plenty of guitar.

8. Grizzly Bear – Shields

It would have been a herculean effort to match 2009′s Veckatimest, never mind improve on it. We doubt the band were remotely bothered, and simply got on with producing a superb album of dreamy melodies that was one of the best things to come out of North America in 2012.

7. The Magnetic North – Orkney: Symphony of the Magnetic North

An utterly ridiculous concept album about Scotland’s northern isles that should never have worked. In fact it should have been laughed out of this country’s musical canon altogether. And yet… it was utterly beguiling. You can read more here.

6. Happy Particles – Under Sleeping Waves

Ah, the controversial entry. Controversial because this was actually released in 2011; Christmas Day 2011 to be precise. We were among many to point out the band’s lunacy at the time, but it mattered little. Hugely acclaimed, it made the final ten of the SAY Awards, its nomination helped fund a physical, commercially available run of the album and arguably the success of close cousins Remember Remember in 2011 was emulated. A beautiful record, we’re claiming it for 2012, and won’t have any arguments, thanks.

merryfuckyouA LOT of albums get spun over at Tidal Wave towers over the space of a year, so we consider a huge number for this annual indulgent waffle-fest. Some bands just don’t make it easy to give their record the best possible shot at glory – specifically those selfish sods who realise an album in late November or later (or ahem, ones we don’t notice have a record out until then). Here’s three:

Japan’s Mono have specialised in grand, orchestral post rock for years. For My Parents sounded at least as good as anything else they’ve done in the single listen we’ve been able to give it.

We’ll expect big things from Canada’s Metz in the future. Judging by VERY recent debut album, hardcore punk could get relevant once again.

The EP that Wrexham’s Gallops put out a few years back promised greatness; it sounds as if this full length record may just have delivered it. We even had it pencilled in as our last album of the week for 2012 but ran out of time to give it anything more than a cursery listen. For fans of Errors, aye?

Anyways…

15. Bob Mould – Silver Age

In the year that Sugar’s seminal Copper Blue got its twentieth anniversary bumper reissue, the last thing you’d expect the band’s erstwhile frontman to be doing is firing out a really good solo album stuffed with sharp riffs and caustic lyrics. But that’s exactly what did.

14. Woodpecker Wooliams – The Bird School of Being Human

A genuine little curio, from an eccentric young English singer-songwriter. Driven mostly by harp strings and found sound, they appeared from nowhere and won us over in a heartbeat. A fabulous live show at a Song, by Toad BAD FUN night rather helped.

13. Godspeed You! Black Emperor – ‘Alleujah! Don’t Bend! Ascend!

For all your Mogwais and Explosions in the Sky, every post rock fan’s wet dream was always going to be a new Godspeed album. Off hiatus, and even with a record of mostly old songs recorded for the first time, this did not disappoint.

12. Django Django – Django Django

Also known as the one where a bunch of Edinburgh art school students fled to London and got massive. And it was well deserved. Surely one of the oddest bands to hit the mainstream in years, they were robbed of their Mercury by overrated charisma vacuums Alt-J, but the recognition will surely only spur them on.

11. The Douglas Firs – The Furious Sound

The stunning second album from Neil Insh’s collective chilled our hearts with its tales of witch trials, but warmed our senses with minimalist, percussion heavy, doom-laden folk. We’ve always liked them, but just how good this was came as a bit of a shock.

xmas kittiesAt this point we’d like to take a moment to reflect on those albums which disappointed us this year. A lot of bands delivered steamers this year, but here’s three who we know can do better.

The second xx album? Well it wasn’t bad, but all the signs were in place for something that was a little better than a recycled version of their debut – Jamie now an in demand collaborator and remixer; Romy and Oliver maturing as songwriters. But is was waaay too wallpaper-y.

You wouldn’t expect an album featuring Ke$ha to feature anywhere near the top of this list, and, well, you’d be right. The Flaming Lips And Heady Fwends was an embarrassment to all involved. Time to get that spark back, Wayne.

Significant portions of the world went bananas for Jack White‘s first proper solo album. Not us. It was clichéd, overlong, and riddled with duds.

Back to the countdown.

20. Grimes – Visions

This was serious hipster catnip in 2012, but beneath the hype lurked a dark, bruised album by a young Canadian who’s been ploughing away for little reward until now. Those in the know say this is an average work by her standards, which is frightening.

19. Jo Mango – Murmation

The kind of artist who could really breakthrough into the ‘ridiculously talented songstress’ market if the national press woke up to her existence. But for now, let’s just keep this little secret to ourselves, yes?

18. Ringo Deathstarr – Mauve

A whisker short of Color Trip’s perfection, Ringo Deathstarr’s second album in eighteen months was still utterly cracking. Fans of noisy, distorted shoegazey guitars need to get on board with these guys.

17. …And You Will Know Us By the Trail of the Dead – Lost Songs.

A band that – So Divided apart – can do no wrong in our eyes, but this return to the rough and ready punk sounds of Madonna give a few more dormant fans a bit of a shake. Their best record in a number of years, and the current line-up seems to have really bedded in.

16. Trapped Mice – Winter Sun

The Edinburgh band’s first full length record took them leaps and bounds beyond their rough early EPs. This was a massively mature progression and should be filed alongside the Decemberists and Okkervil River for fans of grandiose, off-kilter pop.

cat santa hatHere we go. Into the big guns. But first, here’s a gratuitous picture of a cat in a Santa hat.

Hope you enjoyed that.

25. Errors – Have Some Faith in Magic

A marked change, this. A member down, the now three-piece experimented with vocals in a concerted fashion for the first time. They were largely buried in the mix, but it took them into new sonic territory with a lot of the guitar work stripped away.

24. Swearin’ – Swearin’

Instantly listenable, guitar pop from a hitherto unknown (to us, at least) Brooklyn four piece. Loud and scuzzy, but stuffed full of hooks.

23. North Atlantic Oscillation – Fog Electric

Largely overlooked, the Edinburgh band’s second album was more focused than their enjoyably mixed debut. The emphasis here was squarely on dreamy shoegazing. Early promise squarely fulfilled, we think.

22. We Are the Physics – Your Friend, The Atom

The sharply dressed, shouty Glasgwegians had been written off by pretty much everyone until this storming comeback. Back in ’08 angular guitar pop bands were ten a penny. Now they stand out and a huge pile of tunes helped immensely.

21. Cat Power

Chan Marshall may have blunted her edge with her last full album – a rather dreary selection of covers – this saw her doing absolutely everything herself – writing, playing, producing. The results were striking, and a million miles away from the high-grade country soul she perfected on The Greatest.

grumpy catSo, here it is, the moment you’ve probably all not been waiting for. The start of our top 50 album countdown begins right here. Given that the Tidal Wave of Indifference was created essentially to give this list a home at the end of 2009, we think we’ve come a long way since then. Thousands of people looked at our round-up last year, although we reckon 99% looked away feeling disgusted at the lack of their favourite pishy little outfit.

We encountered hundreds of album this year, many dismissed out of hand, but there was some real quality out there in 2012, some of it found in the most surprising places as our first entry demonstrates. So here we go…

50. Bloc Party – Four

This band have absolutely no right to make a comeback, let alone with a half decent record. But they did, and Kettling had one of the guitar riffs of the year.

49. Rozi Plain – Joined Sometimes Unjoined

Sweet English songstress + Fence Records = RESULT!

48. Here We Go Magic – A Different Ship

Luke Temple’s band of odd-poppers are every bit as good as many of their more famous and more appreciated peers. A Different Ship was a significant leap forward.

47. Twin Shadow – Confess

Seeing as Prince himself has disappeared into a creative wormhole, George Lewis Jr seems keen to be anointed as a worthy successor.

46. Frankie Rose – Interstellar

Even when stripped of The Outs, Frankie Rose still had a knack for fuzzy pop tunes.

45. Mark Lanegan Band – Blues Funeral

Perhaps a smidge overlong, Lanegan’s long awaited follow-up to Bubblegum was clearly influenced by his work with Soulsavers and further cemented his position as rock’s Prophet of Doom.

44. So Many Wizards – Warm Nothing

These guys have the potential to be among America’s coolest bands. This compact little collection was full of bite-sized chunks of cutesy dream pop.

43. Adrian Crowley – I See Three Birds Flying

Ireland’s own Bonnie “Prince” Billy? Quite possibly. This was bleak, introspective and very, very good.

42. Holograms – Holograms

Sod the over-hyped Iceage – these guys really demonstrated that young Scandinavians can produce a raw, powerful, snarling guitar.

41. Breton – Other People’s Problems

With Foals away, this gave those in search of glitchy, groove-driven alt pop a fresh outlet to indulge their needs.

40. Admiral Fallow – Tree Bursts in Snow

A worthy successor to Boots Met My Face, it saw them step up their profile massively. That wider UK breakthrough still seems to be in the post though.

39. The Leg – An Eagle to Saturn

Comfortably one of the more bonkers albums of the year. Stylistically all over the place, like a friend who’s losing the plot after one drink too many, constant attention was needed to stop it taking you to some very dark places indeed.

38. Steve Adey – The Tower of Silence

Six years in the wilderness, and this low key Edinburgh singer-songwriter returned with an eclectic and engaging set.

37. The Unwinding Hours – Afterlives

You can’t help but feel that the progression of Craig B and Iain Cook’s music would have been headed in this direction even if they’d continued playing as Aereogramme but that doesn’t make it any less wonderful.

36. Ultrasound – Play For Today

In short, the unlikeliest and best comeback of the year. The tunes are still huge.

35. Beak >> – >>

It took us a while to approach Geoff ‘Portishead’ Barrow’s Krautrock/post rock/drone project but this was hugely satisfying and not without a tune or two either.

34. We Are Augustines – Rise Ye Sunken Ships

One of the most natural-sounding American rock records of the year. These guys really ought to be at the Gaslight Anthem level (they’re also better) but there’s time yet. An excellent debut album.

33. Francois and the Atlas Mountains – E Volo Love

A lovely effort from the Gallic maestros of tropicalia-infused odd-pop. This maybe isn’t the best video of them, but hey, we’re in the crowd so it’s special for us!

32. Xiu Xiu – Always

Not everything Jamie Stewart has done has filled us with joy but this may be his best album since Fabulous Muscles. Deeply screwed up but somehow strangely uplifting too.

31. Orbital – Wonky

Remarkably, the Hartnolls still have it in them to produce off kilter trance mentalism. Their best album in over ten years.

30. Die Hard – Die Hard

Bruce Willis jokes were inevitable, but you can bet that this Glasgow trio would meet them with the stoniest of faces. Meshing dark electronica with tuneful strumming was their thing and this came from nowhere to muscle into this year’s list.

29. The Twilight Sad – No One Can Ever Know

Also known as that difficult third album. Dominance by doom-y synths moved the music on considerably, but James Graham’s deadpan howl was unmistakable.

28. Stanley Odd – Reject

Despite some of the touchy subject matters, the witty rhymes and, umm, bangin’ beats guaranteed this to be one album that got us grinning from ear to ear every time.

27. RM Hubbert – Thirteen Lost and Found

We wouldn’t have guessed that an album centred around classical guitar compositions would have been one of the year’s best, but we’ve been wrong before. Guest slots by Aiden Moffat and Alasdair Roberts just added to its excellence.

26. Beth Jeans Houghton & The Hooves of Destiny – Yours Truly, Cellophane Nose

Not to be lumped into the every-growing slew of uninspiring lady singers, BJH is a real piece of work. Unhinged and with an ear for a great melody, this was breakneck stuff at times.

Next week marks crunch time. Who’ll be in the top 25?

The Best EPs of 2012

Yeah, so, we drone on constantly about our love of the album format and how our unshakable desire for full length records is what drives this blog. But this year, finally, we woke up to the fact that not every release needs seven tracks or more.

In no particular order here are ten shorter releases that tickled our fancy this year. Each one is utterly splendid, and hopefully this whets your appetite for our full annual album countdown which is nearly ready…

The New Fabian Society – Exhibition of Love

Ok, we’ve said this is in no particular order but we wrote this one down first as it probably is the EP of the year. From Lost in Berlin’s slow, building intro, the downbeat anger of Necropolis to the pumped out Devious Minds and its bookending outro – this was an absolute belter and they’re not half bad live either.

Town Hall – Sticky Notes and Paper Scraps

This concise little release was a much better showcase for the NYC act’s potential than the patchy full album which followed. Five songs, all absolutely lovely.

Plastic Animals – Automaton

They really do get better on every viewing. Five tracks of atmospheric, noisy melodies, they’ve also a song on the upcoming Song, by Toad 12”. We’re thinking ‘big things’ and not just because we stuck them on this year.

Frightened Rabbit – State Hospital

The Selkirk boys have been productive since 2010’s The Winter of Mixed drinks with this, their second interim EP before next year’s Pedestrian Verse. If this is what they chucking out in advance (only the title track will feature on the album), then we’re VERY excited for February’s album.

The Cherry Wave – The Cherry Wave

We chatted up new Glasgow shoegaze specialists the Cherry Wave for Radar. Nice guys and this was an assured debut.

The Son(s) – Leviathan

It’s only six tracks but we rather cheekily slipped this in as an album of the week this year. Album or not, its lush melodies are another prime example of why the Son(s) are one of Scotland’s best bands.

The Last Battle – The Loudest Say the Least

Would be a stop-gap release, if the ‘gap’ wasn’t already on the verge of stopping. The ever-evolving Edinburgh troupe will release their second album in the New Year. This was the first of two EPs of demos that haven’t made the cut.

Public Service Broadcasting – The War Room

Jolly spiffing instrumental, sample-based from a couple of tweed-wearing musos. A hell of a lot louder live than what you’d think too.

Holy Esque – Holy Esque

Huge potential on here from a relatively new Glasgow band. A recent UK tour with the Raveonettes suggests their star is in the ascendant.

Various Artists – The Tidal Wave of Indifference Sessions

We couldn’t let this segment pass without mentioning our lovely little bargain charity “help the pussies and puppies” for, ahem. ‘Indifference Records’. Sales have been slow, so get the finger out, tightwads.

Ok, so it’s more of a short documentary than a ‘movie’, but here is a rather splendid little film shot by Erlend Barclay at our October gig featuring interviews and live footage from The Last Battle, Plastic Animals, Fuzzystar and The Early Morning Satellites. Oh, and yours truly too, but don’t let that put you off.

Enjoy!

So with a faint whiff of inevitability, after blogging, promoting, DJing and presenting, we’re moving into putting out other people’s songs.

This won’t be a ‘proper’ record label but Indifference Records is the title we’re using for what will almost certainly be a one-off release, the Tidal Wave of Indifference Sessions.

These songs were recorded as part of our Freshair shows back in August. Back then we promised to put up podcasts of each show, but only managed one, once the idea to do some worthwhile with the songs took hold – releasing a short album for charity. And with cats in particular being a big favourite round this parts, the Edinburgh Dog and Cat Home (EDCH) seemed like an obvious choice.

EDCH have been caring for lost or abandoned animals since 1883. It takes a great deal of money each year to care for animals and support from the public is essential. Supporting the Home by buying this album will make a real difference.

We’d really appreciate your support. Hopefully the bands – Fuzzystar, The Bad Books and The Son(s), all Tidal Wave favourites – will get a little boost in profile, but more importantly, after pissing about on the interwebs for the last few years, this is probably the biggest and most worthwhile thing we’ve done.

The mini-album (it’s only six tracks) is available over at our freshly-created Bandcamp page for a princely £2 and you can stream it below.

Thanks everyone.

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